Tuesday, October 7, 2008

Guido Reni Baptism of Christ painting

Guido Reni Baptism of Christ paintingGuido Reni reni Aurora paintingFrancois Boucher Madame de Pompadour painting
curtains and upon the bare glass between the curtains.
Where the light touched the leaves they seemed to burn, a bitter green. Elsewhere they were darkest gray and darker. Beneath each of these thousands of closely assembled leaves dwelt either no natural light or richest darkness. Without touching each other these leaves were stirred as, silently, the whole tree moved in its sleep.
Directly opposite his window was another. Behind this open window, too, were curtains which moved and against them moved the scattered shadows of other leaves. Beyond these curtains and beyond the bare glass between, the room was as dark as his own.
He heard the summer night.
All the air vibrated like a fading bell with the latest exhausted screaming of locusts. Couplings clashed and conjoined; a switch engine breathed heavily. An auto engine bore beyond the edge of audibility the furious expletives of its incompetence. Hooves broached

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