Vincent van Gogh Farmer Huts in Auvers painting

Vincent van Gogh Farmer Huts in Auvers paintingVincent van Gogh Factory city paintingVincent van Gogh Crows over wheat field painting
degree of pleasure that was, as she had always cheerfully confessed, "quite ideologically unsound", -- on that subject, I really ought to be more charitable.
Pamela Chamcha, née Lovelace, was the possessor of a voice for which, in many ways, the rest of her had been an effort to compensate. It was a voice composed of tweeds, headscarves, summer pudding, hockey-sticks, thatched houses, saddle-soap, house--parties, nuns, family pews, large dogs and philistinism, and in spite of all her attempts to reduce its volume it was loud as a dinner-jacketed drunk throwing bread rolls in a Club. It had been the tragedy of her younger days that thanks to this voice she had been endlessly pursued by the gentlemen farmers and debs' delights and somethings in the city whom she despised with all her heart, while the greenies and peacemarchers and world--changers with whom she instinctively felt at treated her with deep suspicion, bordering on resentment. How could one be